The garment records encompass Highland Rape, The Hunger, Dante, La Poupée, It's a Jungle Out There, Joan, No. 13, VOSS and later collections through 2010, together with work from Givenchy Haute Couture.

Runway-worn and collection-associated garments sit beside prototypes, studio and production samples, commercial variants, custom-made works and altered pieces. Detached components remain catalogued with their principal garments.

Polaroids, personal snapshots and behind-the-scenes photographs record the studio, runway and life around the work, from The Hunger and Dante to Irere.

Original design sketches, make-up studies and handwritten notes preserve ideas in development and the collaborative processes through which they were realised.

Letters, keepsakes and records of creative exchange retain a private register of the relationships that sustained the work beyond the runway.

Invitations, backstage passes, lookbooks, runway recordings and rare museum documentation place individual objects within their original moments of presentation and later interpretation.

Footwear, belts, headpieces and jewellery—including work associated with Shaun Leane—extend the archive's record of silhouette, body and performance beyond the garment.

Designer, collection, date, object type and known relationship to the studio.

Materials, construction, labels, marks, size and measurements where recorded.

Wear, alteration, loss and evidence of use are described without embellishment.

Ownership, recollection, runway imagery and published sources are recorded as distinct forms of evidence.